Late Payment Rights — UK Performers

Late Payment Rights for Freelance Performers in the UK

What You're Legally Owed When a Professional Client Pays Late — And How to Enforce It

Late payment isn't just frustrating — it's a breach of your legal rights. Here's exactly what you're owed, how to charge statutory interest, and how to make late payment a thing of the past.

The Real Problem — Late Payment Costs Professional Performers Thousands Every Year

You delivered an exceptional performance. The corporate event ran smoothly. The wedding was everything the client hoped for.

And then the invoice sat unpaid for 6 weeks.

Late payment is one of the most common and most damaging problems facing freelance performers in the UK — and most don't realise they're legally entitled to charge interest, recovery costs and statutory fees on top of the original invoice.

AnyGig eliminates late payment entirely — funds are secured before the event and released to you automatically after the performance. No invoices. No waiting. No chasing.

But if you're dealing with a late payment right now, here's exactly what the law entitles you to.

What Counts as Late Payment?

A payment is legally overdue once it passes the date agreed in your contract or invoice. If no payment date was agreed, the statutory default under the Late Payment of Commercial Debts Act 1998 is 30 days from the date of invoice or date of service — whichever is later.

Corporate clients and event agencies are fully aware of this legislation. Once that deadline passes, the law is on your side.

What You're Legally Entitled to Charge

Under the Late Payment of Commercial Debts Act 1998, you are entitled to:

Statutory interest

8% above the Bank of England base rate on the outstanding amount, calculated from the day after the payment due date.

Fixed debt recovery charge

£40 for debts under £1,000 — £70 for debts between £1,000 and £10,000.

Reasonable recovery costs

If you use a debt collection agency or solicitor to recover the debt.

You do not need to go to court to claim these — include them in a formal late payment notice sent directly to the client.

How to Send a Late Payment Notice

Send a formal late payment notice as soon as an invoice becomes overdue. Include:

The original invoice and due date
The number of days the payment is now overdue
Statutory interest now accruing under the Late Payment of Commercial Debts Act 1998
The fixed debt recovery charge applicable to your invoice amount
A new payment deadline of 7 days
A clear statement that further action will follow if payment is not received

Send by email with read receipt. Keep copies of everything. Corporate finance teams respond to formal notices — this language is one they recognise.

Want to never send another late payment notice again?

AnyGig secures payment before the event and releases it to you automatically after the performance. No invoices. No chasing. No late payment.

What to Do if the Client Still Doesn't Pay

If your late payment notice is ignored, your next step is the Small Claims Court. For debts up to £10,000 in England and Wales, file a claim online at gov.uk/make-court-claim-for-money.

Court fees are recoverable if you win
You do not need a solicitor
Corporate clients and event agencies take court claims seriously — the formal process alone is often enough to prompt payment

How to Prevent Late Payment on Future Bookings

The most effective way to prevent late payment is to secure payment before the event — not after.

Take a deposit at booking

Commits the client financially from day one.

Require balance before the event

No outstanding payment when you arrive to perform.

Use AnyGig

Full payment held upfront, released automatically after the performance.

Professional event buyers are accustomed to upfront payment structures — it's how the events industry operates at every level.

The old way: perform, invoice, wait, chase, send notices, repeat.

The AnyGig way: perform, get paid. Automatically. Every time.

Create your free AnyGig profile and never deal with a late payment again.

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